Where on earth did Bill Haley discovered those incredible songs from?:Orfeón-Dimsa-Roulette-Guest Star-Logo Sessions (30/05/2009)
14-08-2006 THE BEATLES BELGIAN HOME PAGE - UPDATED.***Discos Orfeón belonged to Don Rogerio Azcárraga and the musical director was Paco de la Barrera.***Roulette Records was formed in 1956 and belonged to Morris Levy, Phil Kahl and George Goldner [1918-April 15, 1970].***An adjunct to their music publishing operations, with Goldner, into whose Rama and Tico organisation it was slotted.***In 1957, Hugo Peretti and Luigi Creatore more or less took over the company, leaving Goldner to concentrate on his new enterprises, Gone and End, which were distributed through Roulette.***Distributed labels : Gee, Gone, End, Rama and Tico (all belonging to Goldner).***Bill Haley And His/The Comets (1966, known as Mr. Go Go); y sus Cometas, 1961 :***Al Compás Del Reloj (sung in English), 1961 : from "Rock Around The Clock", May 1954, May 1955, January 1960 and March 1961 .***La Tierra De Las Mil Danzas/live 1966 : from Land Of Thousand Dances by Chris Kenner, Atlantic, 1963.***The Green Door (Puerta Verde) (I), 1961 : from The Green Door by Jim Lowe and His High Fives, DOT, US #1, 1956.***Memphis Tennessee : from Memphis, Tennessee by Chuck Berry, Chess 1729, Feb. 1959.***Tren Nocturno, 1961 (I) : from Night Train by Jimmy Forrest, United, 1952 [originally from Happy Go Lucky Local by Duke Ellington, 1946.***El Blues Del Cometa Azul / Blues Del Cometa Azul (I's), 1961 : from Blue Comet Blues by Bill Haley And His Comets, 1956.***De Buen Humor (I), 08/1962 : from In The Mood by Edgar Hayes And His Orchestra, Decca, 02/1938 [Jazz riff borrowed to Wingy Manone (aka Mannone) and his Orchestra's "Tar Paper Stomp", Vocalion, 1930" via Major Glenn Miller and His AEF Band, Bluebird/RCA Victor, 1939 and Mongo Santamaria, Columbia, US #10, 1961.***Whole Lotta Shakin' Goin' On, 1961 : from Big Maybelle, Okeh 7060, 1955 via Chubby Checker, 11/1960 [B-side of The Hucklebuck] Jerry Lee Lewis, SUN 267, July 1957 [not hitting his #3 chart peak until September but topped C&W and R&B charts simultaneously - Jerry Lee was related with country and r'n'r singer Mickey Gilley (who had recorded Down The Line too) and TV evangelist Jimmy Swaggart].***Negra Consentida, 1961 : composed by Joaquín Pardavá Bernal y Delfina Arce for Julian Solér's movie Negra Consentida, 1948.***Lado A Lado, 1962 : original version in 1927 probably by duet Aileen Stanley and Johnny Marvin as Side By Side via Ray Charles and Betty Carter, 1961.***I Want A Little Girl, 1962 : from McKinney's Cotton Pickers, Victor, 1930.***En Un Pueblito Español (I), 1962 : from Paul Whiteman And His Orchestra's (In A Little Spanish Town) 'T was On A Night Like This, 1926.***Down By The Riverside Twist, 1962 : from Down By The Riverside, an African-American traditional folksong (black spiritual-blue gospel) 'round 1867 in New Orleans aka Ain't Goin' To Study War No Mo' (alternative titles: I ain't going to study war no more / I ain't gonna study war no more...) sung by slaves after the American Civil War beginning in 1861.***First recording by the Fisk University Jubilee Singers in 1920, released by COLUMBIA in 1922 from John J. Nolan's sheet music, 1902, (C)1902.***Cielito Lindo, 1962 : from a popular trad. song of Mexico, written in 1882 by Quirino Mendoza y Cortés via (José) Pedro Infante (Cruz), Mexico, 1942; El Mariachi Vargas de Tecalitlán, 1956. [De la sierra morena, Cielito lindo, vienen bajando un par de ojitos negros Cielito lindo, de contrabando...].***Madison Del Azul (I), 10/1963 : from The 'C' Jam Blues by Duke Ellington, 1941.***Lullaby Of Birdland Twist, 1962 : from Lullaby Of Birdland by George Shearing Quintet feat. Sarah Vaughn on vocal, Verve Records, 1942.***Twist Lento, 1962 : from Slow twistin', a duet with (uncredited) labelmate Dee Dee Sharp and Chubby Checker, Parkway, 1961, US #3, April 1962.***Spanish Twist, September 1961 : from Twist Español (lyrics: Antoño de la Villa - music : Pepe Negrete) by Bill Haley - on Spanish vocal - y Sus Cometas, Orfeón, May 1961.***Desafinado, 1962 : from Joáo Gilberto, Odeon, Brazil, 1958.*** Actopan / Actopan Twist (I's), 1961/1962 : from The Hucklebuck by Paul Williams And His Hucklebuckers, Savoy 683, 1949, US r'n'B chart #1, April 1949, originally from Lucky Millinder's D' Natural Blues, RCA Victor 20-3351, date of recording Jan.3, 1949 [a hit for the Tommy Dorsey Orch. feat. Charlie Shavers on vocal, US #5, 1949], the latter borrowed to Now's The Time by Charlie "Bird" and/or "Yardbird" Parker's Reboppers, Savoy 4508, 12/1945.***Paul Williams : "We were playing the Royal in Baltimore (Maryland) together with Lucky Millinder Band. We were sitting out front listening to them rehearse and they played this title tune D Natural Blues". The night we played the same tune (...) I asked one guy, "What kind of dance is that?" and he said, "This is the Hucklebuck!" And that was it. Eventually we recorded it and called it The Hucklebuck and it hit", via Chubby Checker, Parkway Records P 813, 11/1960, US #14.***La Paloma, 1961 : from La Paloma Adieu, canción americana, 1859 via Chubby Checker's La Paloma Twist (B-side of Slow Twistin'), US #74, March 1962.***Rambunchas twist, 1961 : from Ram-bunk-shush via Bill Doggett, King 45-5020, 1957 or The Ventures (originally by Lucky Millinder and his orchestra, King 4534, 1952).***Caravana Twist / Caravan Twist, 1961 / Cip A Vanna, 1966 : from Barney Bigard and His Jazzopators, early 1937 via Duke Ellington's Caravan, 1937.***Mas Twist, 1961 : from Let's Twist Again by Chubby Checker (aka Ernest Evans), Parkway, 08/61, US #8, 08/1961.***Limbo Rock (I), 1962 : from The Champs, Challenge, US #2, 1962 then recorded by Checker the following November.***Pure De Papas, 1962 : from Nat Kendrick (alias Carlton "King" Coleman, James Brown's drummer) and The Swans' [(Do The)] Mashed Potatoes (Pt.1-Pt.2), Dade 45-1804, 11/1959/Mashed Potatoes, Atlantic, 1960 via Joey Dee (alias Joseph DiNicola) and The Starlighters, Roulette, 1961 and Chubby Checker, 1961.***Jarrito Twist, 1962 : from Little Brown Jug by Glenn Miller And His Orchestra / Captain Glenn Miller Army Air Force Band, 1939.***A Noche (I), 1962 : from Last Night by The Mar-Keys, Stax, 1961.***Florida Twist (Instr. original backing track and some vocals provided by Billy Williamson/live), 1962 : from Florida Twist (Mex #1) by Bill Haley y sus Cometas, back-up vocals in Spanish by "sus Cometas", Orfeón 78-1047, 1961 [the biggest selling single in Mexican history].***Twist Marie/live, 1962 : from Oh Marie by Louis Prima with Sam Butera and The Witnesses, Capitol, 10/1956.***Marie Twist, 1962 : from Marie (I) in the movie "The Awakening", 1928, via the Tommy Dorsey Orch. feat. Jack Leonard on vocal, 1937.***Eight More Miles To Louisville : from (Louis Marshall) Grandpa Jones, Brunswick 5676, 1957.***Reunion De Etiqueta, 1963 : from Tuxedo Junction by Erskine Hawkins And His Orchestra, Jubilee 107, 1940 via Glenn Miller and his Orchestra.***El Quelite, 1963 : originally a Mexican traditional, Public Domain, "canción ranchera" probably from the 18th century via El Mariachi Vargas de Tecalitlán, 1961 [El Quelite is located 20 miles north of Mazatlan just across the Tropic of Cancer between the Sierra Madre Mountains and the Pacific Ocean; ï¿½acaso hemos olvidado también la popular canción mexicana El quelite? "que es un tipo de amaranto" - "it's a type of amaranth"].***Adios Marquita Linda, 1963 : from Adiós, Mariquita Linda by Marcos A. Jiménez, Argentina, 1937***El Poney, 1963 : from Pony Time by Don Fardon and The Goodtimers, Arnold 1002, 1961 [a re-write of "Boogie Woogie" by Clarence "Pinetop" Smith, 1928] via Chubby Checker, Parkway, 01/1961, US #1, 02/1961 - Checker's second million-seller, setting off a new dance craze for the Pony.***I've got news for Hugh (or sometimes spelled as"you"), Mex LP Madison, Orfeón 12339, 10/1963 from themselves (s) B. Haley-Frank Pingatore) ! Nothing to see with the eponym I've got news for you by Ray Charles, Impulse LP Genius & Soul = Jazz, 03/1961 - single: 06/1961.***Pepito, 1965 / Pepito Mi Corazón, 1966 : from Elena Madera, DECCA 9-30835, 01/1959.***Estomago Caliente / No Matter What Shape (Your Stomach's in)/live, 1966 : from The T-Bones, Liberty 55836, 1965.***Harlem Nocturne / Harlem Nocturno / Harlem A Go Go/live, 1966 : from Ray Noble And His American Orchestra, COLUMBIA, 1939.***Justine/live, 1966 : from Don And Dewey, Specialty 631, 05/1958.***El Septimo Hijo / The Seventh Son/live, 1966 : from Willie Mabon, Chess 1608, 1955.***Mohair Sam/live, 1966 : from Charlie Rich, Mercury/Smash S-1993, 1965.***New Orleans / Nueva Orleans/live, 1966 : from Gary "US" Bonds, LeGrand records 1009, US #6, 1960.***Hi-Heel Sneakers/live 1966 : from Tommy Tucker, Chess/Checker 1075, 1964.***Yakety Sax, 1964: from Randy "Boots" Randolph, Monument records 45-804, 1963; original Randolph's on RCA Victor EPA-9678 in 10/1958.***Baja California Sun / California Sun/live, 1966 : from The Rivieras [formed in South Bend, Indiana], Riviera R-1401 (Sheldon), US POP #5, 1964 [originally by Joe Jones And His Orchestra, US #77, Roulette, 1961.***La Cucaracha/live, 1966 : Mexican song, 1893 [cucaracha = bulky carriage, Pancho Villa].***Hambone/live (Pancho), 1966 (I) : via Rayburn Anthony, SUN, 1960 [originally by Red Saunders and his orchestra with Dolores Hawkins and The Hambone Kids, Okeh 6862, 02/1952).***Mish Mash, 1964 : from Carrie Grant And The Grandeurs (The Grandeurs = The Comets), Newtown, 1963.***Ella Cree Que La Amo Aun, 1964 : from She Thinks I Still Care by George Jones, US #1, United Artists, March 1962.***Surf De La Sandia, 1964 : from Herbie Hancock Trio's Watermelon Man, Blue Note, 1962.***Cerca (wrongly spelled as "circa") Del Mar, 1964 : nothing to see with Beyond The Sea by Bobby Darin, Atlantic, Jan. 1960 and La Mer, a hit for well known French songwriter/singer Charles Trenet, Magic Notes Columbia, 1946].***Movendiose, 1964 : from Movin' n' Groovin' by Duane Eddy And His "Twangy Guitar", Jamie 1101, 1958.***A Gusto Contigo, 1964 : from Je Me Sens Bien (Auprès De Toi)!!! by Petula Clark, disque Vogue EPL 8.078, France, 1963 [adapted from Dance On by The Shadows, EMI/Columbia 45 DB 4948, UK, 12/1962!!!].***No Tu Puedes Sentar, 1964 : from [(You)] Can't Sit Down by The Bim Bam Boos feat. i.a. Cornell Muldrow, Phil Upchurch, Dasher D 500, 1959 via The Dovells, Parkway, US #5, 06/1963 and possibly via a trumpet instrumental by Phil Upchurch Combo, Boyd 1026 DJ, 1961.*** Madero Y Gante, 1964 : from Washington Square by The Village Stompers, EPIC N7-26078, US #2, 1963.***Surf Del Elefante, (I), 1964 : from Baby Elephant Walk by Henri Mancini And His Orchestra, RCA Victor, US DNC, 1961.***Surf Del Monkey, 1964 : from The Monkey Shine by Carl Perkins, DECCA 9-31709, 1964.***All these songs were available on his 8 Mexican LP's [Twist, 1961; Bikini Twist, 1962; Twist En México, 1962; Madison, 1963; Carneval De Ritmos Modernos, 1963; Surf Surf Surf, 1964; Whisky A Go-Go (live), 1966; Bill Haley A Go-Go, 1966].***The only one LP record released by Roulette was "twistin' knights ("twistin' nights"!) AT THE ROUNDTABLE [live at the nightclub], 1962.***Tidbit time : at that time, Morris Levy is at the head of the Roundtable nightclub. In March 1962, Bill Haley & The Comets occur in a row eleven evenings with an aim of recording a live album. On injunction of his wife, Franny Beecher had left the group a few months earlier (giving up his third of the benefit). One will especially pick up him at home in a limousine to play lead guitar on the forthcoming album. Sticks Evans (aka Samuel Smith), African drums, is recruited because the content of the LP is supposed to be very twisty and, as Evans plays with The Starliters of Joey Dee (Roulette star-house, a firm directed successively by Levy and Goldner), he is thus regarded as THE specialist in the dance craze/rhythm à la mode.***UK Ember LP, "P.1969" (in fact, June 1968) : originally Whisky A Go Go released in Mexico on the Orfeón/DIMSA label (12478) in 1966.***Like all true professionals, Haley's greatest asset is his ability to take his music out of the recording studio and perform it LIVE.***Mainly the accent is on the kind of rock'n'Roll that Bill Haley and the Comets have made their own since April 1954.***"When you will have heard this album you will know why Bill Haley wore the crowns!***At that time, Mexico, 1966, the Bill Haley legend started nearly 15 years ago...There followed a series of int'l smash-hits which included Shake, Rattle and Roll, RATC and many others. In fact, the list of Bill's record successes went on to read like a one-man chart took-over bid !***Mariachi Vargas were formed by Don Gaspar Vargas in Tecatlitán, Jalisco, Mexico back in 1898.***CD : from the LP "Twistin' Knights At The Roundtable - Roulette R-25174, ca. April 1962" recorded live on-the-spot in New York City in March 1962 and released in US in 1999 by Rhino/Soundies, ref. SCD 4113.